In a similar vein to the question of separating art from the artist, I think it’s also worth discussing how one approaches appreciating art despite its often industrial and commercial origins.
Edited for clarity: commercial is sort of redundant, and may have given an impression of there being issue taken with any sort of money made from art, which wasn’t the intent. Focus was intended more on industrial, i.e. bigger business, art output.
I don’t see the issue. You go into any art museum in the world and you can see pieces made by some artist who some duke or king or religion commissioned. I don’t see anyone complaining about that.