In a similar vein to the question of separating art from the artist, I think it’s also worth discussing how one approaches appreciating art despite its often industrial and commercial origins.
Edited for clarity: commercial is sort of redundant, and may have given an impression of there being issue taken with any sort of money made from art, which wasn’t the intent. Focus was intended more on industrial, i.e. bigger business, art output.
To clarify, I’m asking in the sense of art made within larger businesses/corporations, wherein artists often give up some or all of the ownership of their work. Think of the fraught relationships between bands and their music labels, actors/directors and studios, developers/writers and publishers, etc.