Twitter currently has $1.5 billion/year deficit which is a lot, even for Musk, to bankroll.

Check Amazon’s Antitrust Paradox by Lina Khan (FTC). A very detailed review of how Amazon is a monopoly and how they dodge antitrust legislation.

That’s not how it works. Or, rather, that’s not only how it works. Sure, advertisers dream of users who see an ad once and run to buy a product. But ad effects are spread over time. They build brand recognition. They fake familiarity. Say you are in a supermarket and you want to buy a new type of product that you haven’t bought before. Very likely you’ll pick something familiar-sounding, which you heard in an ad. Ads pollute the mind even if the most obvious effects are, well, obvious and easily discarded, more subtle influence remains.

Based on your analogue they drive the car for 7.5 inches (614.4 Kb by 63360 inches by 20 divided by 103179878.4 Kb) and promise based on that that car travels 20mph which might be true, yes, but the scale disproportion is too considerable to not require tests. This is not maths, this is a real physical device - how would it would behave on larger real data remains to be seen.

106 Gbps

They get to this result on 0.6 MB of data (paper, page 5)

They even say:

Moreover, there is no need to evaluate our design with datasets larger than the ones we have used; we achieve steady state performance with our datasets

This requires an explanation. I do see the need - if you promise 100Gbps you need to process at least a few Tbs.

print("x") is you want to screw your students.

Not for the seedbox, but for the personal always on VPN I would def prefer something nearshore.

Why? I refuse to believe there’s no location in SA with a decent internet and without DMCA enforcement.

Be ware of using VPN if you want spanish content and wanna join a private tracker; all spanish private tracker ban the use of VPNs

What’s the rationale for that?

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Another self portrait, drawn when he was 90 or 91. Probably my favorite of his self portraits. Titled “The Young Painter”:

It was incredible to see it live unprepared. When you look chronologically through his paintings, you see basically every modern style there is - the guy participated in a lot of art movements over the twentieth century—and was proficient and productive in several of them. He starts classically, but soon descends into surrealistic nightmares and all the other things he became famous for. And then, finally, in the end, after all this insanity of lines and cubes and shapes and trying to figure out meanings (or at least subjects), you come to the last painting in the exhibition, and it really looks like something a talented ten-year-old could draw - full of life and innocence and optimism.